Antioch Drywall brings more than 14 years of experience to soundproof drywall installation, sound-dampening drywall, double-layer drywall, resilient channel and sound isolation clip systems, acoustic sealant, taping, and finishing for homeowners, property managers, and general contractors. We hang 5/8-inch Type X, QuietRock-style laminated panels, and standard 1/2-inch drywall over staggered or double studs with mineral wool insulation, Green Glue damping compound, and mass loaded vinyl, for home theaters, bedrooms, home offices, music rooms, condos, apartments, and medical suites.
Every installation is designed around ASTM E90 STC ratings and the IBC Section 1206 requirement of STC 50 between dwelling units, with staggered seams, acoustical sealant at every perimeter and outlet box, and a GA-214 Level 4 finish ready for primer and paint. This page explains what our soundproofing services include, why sealing air gaps matters as much as adding mass, and how we manage your project from estimate to final walkthrough. Antioch Drywall provides soundproof drywall installation services to surrounding Antioch, CA cities, including: Pittsburg, Brentwood, Oakley, Concord, Bay Point, Martinez, Walnut Creek, Pleasant Hill, Benicia, Vallejo, and more.


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Antioch Drywall plans soundproofing walls one room at a time, because a home theater, a home office, and a bedroom each have a different noise problem to solve. A theater has to contain sub-bass and speaker output, an office has to isolate voices during calls, and a bedroom next to a busy street or a shared wall needs a different fix altogether. Every job starts with an on-site evaluation and a fixed-price estimate, so the plan and the price are set before any wall comes apart.
Soundproofing walls in a home theater are built to keep movie and speaker noise from carrying into the rest of the house, particularly the low-frequency rumble that ordinary drywall does little to stop. A soundproof home theater typically needs a heavier wall assembly than a standard room, since bass frequencies travel through framing more easily than speech does, and it's often the ceiling and shared walls with a bedroom or living room that need the most attention.
Soundproof office walls matter most for calls, video meetings, and focus, whether the office sits inside a house in a neighborhood like Sand Creek or Lone Tree, or inside a small commercial suite. Soundproofing walls here is less about blocking a single loud event and more about cutting down everyday sound bleed — a dog barking in the next room, a TV down the hall, or a coworker's call carrying through a shared wall — so the space stays usable for back-to-back meetings.
Bedrooms next to a loud room, a TV, or a busy street like Highway 4 or A Street often need soundproofing walls more than any other room in the house. The on-site evaluation checks what's actually coming through first: airborne noise through the wall itself, sound leaking around outlets and door gaps, or vibration carried through the framing, since each of those calls for a different fix.
Soundproofing walls between neighbors or units comes up most in duplexes, condos, and apartments, including older shared-wall buildings around Rivertown and newer duplex construction near Lone Tree Way. Before any work starts, we give a fixed-price quote based on what the shared wall needs, so both a homeowner and an HOA or property manager know the cost up front.
A music room or practice space with drums, guitar amps, or a piano needs soundproofing walls built for sustained, high-volume sound rather than the occasional loud moment, and each room gets its own plan based on the instrument and how the space is used. A drum room built into a basement or garage needs a different assembly than a small practice room upstairs sharing a wall with a bedroom.
Soundproofing walls comes down to the materials and the assembly, not just an extra layer of drywall. The on-site evaluation is what decides which method fits the room and the budget, since a bedroom wall and a home theater ceiling rarely call for the same fix.
Resilient channel decouples the drywall from the studs, so sound has to cross a flexible metal channel instead of traveling straight through solid framing into the next room. Mass-loaded vinyl adds sheer mass to a wall or ceiling assembly to block sound rather than absorb it, and depending on the room, we use resilient channel alone, mass-loaded vinyl alone, or layer both into the same wall for rooms like a home theater that need the extra isolation.
A second layer of drywall adds mass to an existing wall, often with a damping compound like Green Glue between the two layers to convert vibration into heat instead of sound. Staggered or double-stud walls go further by physically separating the framing on each side of the wall, so there's no shared stud to carry vibration from one room to the other — the right call for a shared wall between units or a wall next to a music room.
Acoustic sealant closes the small gaps and penetrations around outlets, top and bottom plates, and any place a wall is cut, since sound leaks through the smallest openings just as easily as it passes through the drywall itself. The Sound Transmission Class, or STC rating, is the number that tells you how much noise a given wall assembly blocks, and it's what we use to explain, in plain terms, how much quieter a wall will be once the soundproofing walls plan is finished.
STC, or Sound Transmission Class, is a single-number rating of how well a wall blocks airborne sound. It is best suited to speech, not to music or machinery, which carry more low-frequency energy. A standard wall with one layer of 1/2-inch drywall on each side of 2x4 studs rates around STC 33 to 35, while at STC 50 speech generally can't be heard and loud sounds are only faintly audible. STC values can't simply be added when you stack layers, and a one- or two-point difference is subjectively insignificant.
Sound-damped panels such as QuietRock combine gypsum with viscoelastic polymers for added mass and damping. The main alternative is a second layer of 5/8-inch drywall with a damping compound between the layers, which one guide calls one of the most cost-effective upgrades for a shared wall. The damped panel is simpler to hang, while the double layer costs less in materials but takes more time to hang and finish. Damping compounds work best on walls framed 24 inches on center and poorly on masonry. Cavity insulation adds a few STC points, mostly for voices rather than bass.
Details decide the result. One screw that misses the resilient channel and hits the stud short-circuits the decoupling, which is called the most common failure on channel jobs. Acoustical caulk belongs at every perimeter and penetration, and back-to-back electrical boxes should be offset by a stud bay and fitted with putty pads. The one percent rule says even a one percent opening can let half the sound energy through. Because lab STC leaves out flanking, field-tested NIC often comes in lower, so the contract should specify the assembly and its details.
For apartments and condos, the California Building Code requires walls, partitions, and floor-ceiling assemblies separating dwelling units to be STC 50 in the lab, or NNIC 45 if field tested, and floors must also meet IIC 50. For townhouses and two-family homes, the California Residential Code's sound transmission appendix sets an STC 45 target between units and calls for sealing penetrations for piping, electrical devices, and ducts. Ask Antioch whether it has adopted that appendix. California's SB 800 also requires attached new homes to meet interunit noise transmission standards.
Not on its own. Standard drywall barely attenuates bass, and a dedicated theater or music room typically needs a combination of damped walls, a damped ceiling, and resilient channels to reach STC 60 or higher. For exterior noise, doors and windows matter as much as the walls. A Pleasanton planning report estimated train horns at 89 to 112 dBA at 75 feet and found STC 46 doors and windows cut interior levels by about 41 dB. Nearby Pittsburg's general plan reports rail noise reaching 70 dB along the BNSF and Southern Pacific lines, with BART in the SR 4 median adding to the mix.
Footsteps are impact noise, rated by IIC, and they travel through the structure rather than the air, unlike the airborne noise that STC measures. A second drywall layer with damping compound helps voices and TV noise but does not meaningfully reduce impact noise on its own. The fixes that work are sound isolation clips with hat channel on the ceiling side, or rubber underlayment on the floor above. Code sets IIC 50 as the target for floors between dwelling units.
A second drywall layer buries existing boxes. NEC 314.20 lets boxes in gypsum surfaces sit no more than 1/4 inch behind the finished surface, so double layers typically need box extenders, plus putty pads for sound. Unit entrance doors also need to fit tight to the frame and sill, since door gaps are a classic leak. Fire-and-sound rated assemblies exist, including 1-hour wood-framed walls with resilient channel, but ratings apply to assemblies built as listed. Manufacturers say Green Glue is approved for fire-rated assemblies and QuietRock has UL 1-hour designs, so check the specific assembly with Building Services.
Antioch's construction noise rule covers remodeling and refurbishing, including sawing and hammering. It's unlawful weekdays before 7:00 a.m. or after 6:00 p.m., before 8:00 a.m. or after 5:00 p.m. within 300 feet of occupied dwellings, and on weekends and holidays before 9:00 a.m. or after 5:00 p.m. The City Manager can grant a waiver for a specific project and period. Adding drywall layers is generally finish work, but new stud walls, electrical changes, or work in a rated separation between units can bring permits, so call Building Services at (925) 779-7065.
The method drives the price. Damped panels cost several times what standard sheets do, a double layer costs less in materials but takes longer to hang and finish, and resilient channel needs skilled installation to avoid short circuits. A double-stud wall performs best but costs 4 to 6 inches of room width per wall. Sealing and door upgrades often show up as separate line items, so ask for the assembly, the seal details, and any field testing itemized.
Two CSLB classifications apply. C-9 covers installing gypsum board assemblies, including taping and finishing, while C-2 covers installing insulating media and preformed architectural acoustical materials for temperature or sound control. A license is required for any job over $1,000, or for smaller jobs that need permits or workers. In Antioch, all contractors and subcontractors also need a City of Antioch business license. Down payments can't exceed $1,000 or 10 percent of the contract price, whichever is less.